British artist and designer Faye Toogoods brand-new exhibition, “Assemblage 6: Unlearning,” opened this week in New York. Provided by Manhattan art gallery Friedman Benda, Toogoods latest installation is a departure from her normal procedure, and will be on view through October 17.” For me, the procedure of unlearning implied intuitive play rather than active style,” Toogood states to ADVERTISEMENT PRO. Her typical innovative procedure tends to depend on a preliminary concept, which is typically then made into a maquette. From there, various models are created over and over again in order to tweak a final design. However this, Toogood explains, indicates going through numerous versions of the original maquette, with production and products in mind.Toogood notes that this procedure most likely comes from a desire for excellence and balance, which she sought to unlearn for “Assemblage 6.” As she shows further: “The method to achieve this was to reproduce the initial maquettes with no improvement.” The designer and her group spent a variety of months making hundreds of such models from products in the studio– clay, paper, tape, canvas, wire, and paint. “We laid them all out around us and I selected,” says Toogood. “I was eager to discover forms and geometries that are genuinely distinct, not referencing any work that I had done before.” Small maquettes of each blown-up piece consisted of in the program are also on display.
“We have actually taken a body of work that is thought about poor in terms of material,” she says, “and turned that into irreversible pieces cast in bronze, painted canvas, and wrought steel.” Toogood notes that making the maquettes allowed her to experiment with pieces of different scales.” There is a sensation of fragility as well as a contrast in between the weight and strength of the last pieces and the lightness of the originals,” Toogood includes.
Provided by Manhattan art gallery Friedman Benda, Toogoods latest setup is a departure from her normal process, and will be on view through October 17.” For me, the procedure of unlearning indicated instinctive play rather than active style,” Toogood says to AD PRO.” Toogood keeps in mind that making the maquettes allowed her to experiment with pieces of different scales.