Printing on leather enabled the very same subtlety in color and texture that I find on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star motif.
Helen CathcartRealized utilizing natural pigments, her constellation of stars is signed up with by other geometric concepts: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters development, originally developed in Photoshop for a cover of Jason Reynoldss best-selling book For Every One, records “what dreams appear like as a pattern.”) A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, meanwhile, covered a good friend in pigment and coconut oil, then pushed her body to paper, producing a vibrant, not-quite-figurative effect reminiscent of Yves Kleins Anthropometry series. And furniture designer Bethan Gray painted billowing boat sails.
Helen CathcartAmberg, whose atelier has long created custom components for designers and architects like Alexandra Champalimaud and Peter Marino, began checking out digital printing only a few years ago but considers it the most recent advancement in the products long, rich history. “Think of the illuminated wall panels in Florence or the hand-painted hides produced by Native Americans,” he states. “Leather has been used as an artistic medium for millennia.” mooreandgiles.comYinka Ilori with his own Love is Blind.
Printing on leather enabled the same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star theme.
A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.