Printing on leather allowed the exact same subtlety in color and texture that I find on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star theme.
A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Printing on leather enabled the very same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star motif.
Helen CathcartRealized using natural pigments, her constellation of stars is signed up with by other geometric concepts: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters production, originally conceived in Photoshop for a cover of Jason Reynoldss very popular book For Every One, records “what dreams look like as a pattern.”) A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, on the other hand, covered a pal in pigment and coconut oil, then pressed her body to paper, creating a vibrant, not-quite-figurative effect reminiscent of Yves Kleins Anthropometry series. And furniture designer Bethan Gray painted rippling boat sails.
Helen CathcartAmberg, whose atelier has actually long created custom components for designers and designers like Alexandra Champalimaud and Peter Marino, started checking out digital printing just a couple of years ago but considers it the most recent development in the materials long, rich history. “Think of the lit up wall panels in Florence or the hand-painted hides developed by Native Americans,” he says. “Leather has been utilized as an artistic medium for millennia.” mooreandgiles.comYinka Ilori with his own Love is Blind.