Moore & Giles Unveils an Array of Playfully Patterned Leathers

Printing on leather enabled the same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, established around a 10-point-star theme.
Helen CathcartRealized using natural pigments, her constellation of stars is joined by other geometric themes: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters production, initially developed in Photoshop for a cover of Jason Reynoldss best-selling book For Every One, records “what dreams look like as a pattern.”) A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, on the other hand, covered a buddy in pigment and coconut oil, then pressed her body to paper, developing a vibrant, not-quite-figurative impact reminiscent of Yves Kleins Anthropometry series. And furnishings designer Bethan Gray painted billowing boat sails.
Helen CathcartAmberg, whose atelier has actually long created custom elements for designers and architects like Alexandra Champalimaud and Peter Marino, started exploring digital printing just a few years ago but considers it the current advancement in the materials long, abundant history. “Think of the illuminated wall panels in Florence or the hand-painted hides created by Native Americans,” he states. “Leather has actually been utilized as an artistic medium for millennia.” mooreandgiles.comYinka Ilori with his own Love is Blind.
Helen Cathcart.

Printing on leather allowed the same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, developed around a 10-point-star concept.
A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.