Moore & Giles Unveils an Array of Playfully Patterned Leathers

Printing on leather allowed the very same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, established around a 10-point-star motif.
Helen CathcartRealized utilizing natural pigments, her constellation of stars is joined by other geometric motifs: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters creation, initially developed in Photoshop for a cover of Jason Reynoldss very popular book For Every One, catches “what dreams appearance like as a pattern.”) A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, meanwhile, covered a good friend in pigment and coconut oil, then pushed her body to paper, producing a dynamic, not-quite-figurative effect reminiscent of Yves Kleins Anthropometry series. And furnishings designer Bethan Gray painted rippling boat sails.
Helen CathcartAmberg, whose atelier has actually long produced bespoke aspects for designers and designers like Alexandra Champalimaud and Peter Marino, started checking out digital printing just a couple of years ago but considers it the current development in the products long, rich history. “Think of the illuminated wall panels in Florence or the hand-painted hides created by Native Americans,” he states. “Leather has actually been utilized as a creative medium for centuries.” mooreandgiles.comYinka Ilori with his own Love is Blind.
Helen Cathcart.

Printing on leather enabled the very same subtlety in color and texture that I discover on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, developed around a 10-point-star concept.
A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.