Printing on leather enabled the exact same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, developed around a 10-point-star concept.
Helen CathcartRealized utilizing natural pigments, her constellation of stars is signed up with by other geometric concepts: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters development, originally developed in Photoshop for a cover of Jason Reynoldss best-selling book For Every One, captures “what dreams appear like as a pattern.”) A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, meanwhile, covered a friend in pigment and coconut oil, then pressed her body to paper, developing a dynamic, not-quite-figurative effect reminiscent of Yves Kleins Anthropometry series. And furniture designer Bethan Gray painted rippling boat sails.
Helen CathcartAmberg, whose atelier has actually long developed bespoke components for designers and architects like Alexandra Champalimaud and Peter Marino, started checking out digital printing just a couple of years ago however considers it the latest development in the products long, abundant history. “Think of the brightened wall panels in Florence or the hand-painted hides created by Native Americans,” he states.
Printing on leather enabled the very same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, developed around a 10-point-star concept.
A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.