Moore & Giles Unveils an Array of Playfully Patterned Leathers

Printing on leather permitted the same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star motif.
Helen CathcartRealized utilizing natural pigments, her constellation of stars is signed up with by other geometric themes: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters development, initially conceived in Photoshop for a cover of Jason Reynoldss very popular book For Every One, catches “what dreams appearance like as a pattern.”) A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, meanwhile, covered a good friend in pigment and coconut oil, then pushed her body to paper, developing a vibrant, not-quite-figurative result reminiscent of Yves Kleins Anthropometry series. And furnishings designer Bethan Gray painted billowing boat sails.
Helen CathcartAmberg, whose atelier has long developed bespoke aspects for designers and architects like Alexandra Champalimaud and Peter Marino, started exploring digital printing just a couple of years ago however considers it the current development in the materials long, abundant history. “Think of the illuminated wall panels in Florence or the hand-painted hides developed by Native Americans,” he says. “Leather has actually been utilized as a creative medium for centuries.” mooreandgiles.comYinka Ilori with his own Love is Blind.
Helen Cathcart.

Printing on leather permitted the very same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, established around a 10-point-star motif.
A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.