Printing on leather enabled the very same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, developed around a 10-point-star theme.
Helen CathcartRealized using natural pigments, her constellation of stars is joined by other geometric motifs: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters development, originally developed in Photoshop for a cover of Jason Reynoldss best-selling book For Every One, captures “what dreams appearance like as a pattern.”) A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, meanwhile, covered a good friend in pigment and coconut oil, then pressed her body to paper, producing a vibrant, not-quite-figurative result reminiscent of Yves Kleins Anthropometry series. And furnishings designer Bethan Gray painted billowing boat sails.
Helen CathcartAmberg, whose atelier has long produced bespoke aspects for designers and designers like Alexandra Champalimaud and Peter Marino, started checking out digital printing only a few years ago but considers it the latest advancement in the materials long, rich history. “Think of the lit up wall panels in Florence or the hand-painted hides produced by Native Americans,” he says.
Printing on leather allowed the very same subtlety in color and texture that I find on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, developed around a 10-point-star theme.
A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.