Printing on leather permitted the same subtlety in color and texture that I find on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, developed around a 10-point-star concept.
A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.
Printing on leather permitted the exact same subtlety in color and texture that I discover on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, established around a 10-point-star concept.
Helen CathcartRealized using natural pigments, her constellation of stars is joined by other geometric concepts: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters development, initially developed in Photoshop for a cover of Jason Reynoldss very popular book For Every One, records “what dreams look like as a pattern.”) A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, meanwhile, covered a pal in pigment and coconut oil, then pressed her body to paper, creating a dynamic, not-quite-figurative effect similar to Yves Kleins Anthropometry series. And furnishings designer Bethan Gray painted billowing boat sails. (” Because I utilized ultramarine ink, when its printed on the leather you truly see that hand-painted appearance,” she keeps in mind.) Bethan Gray and Bill Amberg (billamberg.com) checking her Inky Dhow leather..
Helen CathcartAmberg, whose atelier has actually long developed custom elements for designers and architects like Alexandra Champalimaud and Peter Marino, started exploring digital printing just a few years ago however considers it the most current advancement in the materials long, rich history. “Think of the illuminated wall panels in Florence or the hand-painted hides created by Native Americans,” he states.