Printing on leather permitted the very same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, developed around a 10-point-star concept.
A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.
Printing on leather permitted the exact same subtlety in color and texture that I discover on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, developed around a 10-point-star concept.
Helen CathcartRealized utilizing natural pigments, her constellation of stars is signed up with by other geometric concepts: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters development, originally conceived in Photoshop for a cover of Jason Reynoldss very popular book For Every One, catches “what dreams appear like as a pattern.”) A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, on the other hand, covered a pal in pigment and coconut oil, then pressed her body to paper, producing a dynamic, not-quite-figurative effect reminiscent of Yves Kleins Anthropometry series. And furnishings designer Bethan Gray painted billowing boat sails.
Helen CathcartAmberg, whose atelier has actually long produced custom aspects for designers and designers like Alexandra Champalimaud and Peter Marino, began exploring digital printing just a couple of years ago but considers it the newest advancement in the products long, abundant history. “Think of the brightened wall panels in Florence or the hand-painted hides created by Native Americans,” he says.