Printing on leather allowed the very same subtlety in color and texture that I find on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, established around a 10-point-star concept.
Helen CathcartRealized using natural pigments, her constellation of stars is signed up with by other geometric motifs: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters creation, initially developed in Photoshop for a cover of Jason Reynoldss very popular book For Every One, catches “what dreams appear like as a pattern.”) A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, on the other hand, covered a pal in pigment and coconut oil, then pressed her body to paper, creating a dynamic, not-quite-figurative result reminiscent of Yves Kleins Anthropometry series. And furnishings designer Bethan Gray painted rippling boat sails.
Helen CathcartAmberg, whose atelier has actually long developed custom components for designers and designers like Alexandra Champalimaud and Peter Marino, began exploring digital printing just a few years ago but considers it the latest advancement in the materials long, abundant history. “Think of the brightened wall panels in Florence or the hand-painted hides created by Native Americans,” he says. “Leather has actually been used as a creative medium for centuries.” mooreandgiles.comYinka Ilori with his own Love is Blind.
Printing on leather allowed the same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, established around a 10-point-star theme.
A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.