Printing on leather enabled the same subtlety in color and texture that I discover on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, developed around a 10-point-star theme.
Helen CathcartRealized using natural pigments, her constellation of stars is signed up with by other geometric concepts: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters development, originally conceived in Photoshop for a cover of Jason Reynoldss best-selling book For Every One, catches “what dreams appear like as a pattern.”) A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, on the other hand, covered a buddy in pigment and coconut oil, then pushed her body to paper, producing a vibrant, not-quite-figurative result reminiscent of Yves Kleins Anthropometry series. And furniture designer Bethan Gray painted rippling boat sails.
Helen CathcartAmberg, whose atelier has actually long developed custom components for designers and designers like Alexandra Champalimaud and Peter Marino, began exploring digital printing only a few years ago but considers it the most recent development in the products long, abundant history. “Think of the brightened wall panels in Florence or the hand-painted hides developed by Native Americans,” he states. “Leather has actually been used as a creative medium for centuries.” mooreandgiles.comYinka Ilori with his own Love is Blind.
Printing on leather permitted the exact same subtlety in color and texture that I discover on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, established around a 10-point-star concept.
A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.