Printing on leather enabled the same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, developed around a 10-point-star concept.
A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Printing on leather permitted the same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star motif.
Helen CathcartRealized using natural pigments, her constellation of stars is signed up with by other geometric motifs: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters creation, initially developed in Photoshop for a cover of Jason Reynoldss very popular book For Every One, captures “what dreams appear like as a pattern.”) A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, meanwhile, covered a pal in pigment and coconut oil, then pressed her body to paper, producing a dynamic, not-quite-figurative impact reminiscent of Yves Kleins Anthropometry series. And furniture designer Bethan Gray painted billowing boat sails. (” Because I used ultramarine ink, when its printed on the leather you actually see that hand-painted appearance,” she notes.) Bethan Gray and Bill Amberg (billamberg.com) examining her Inky Dhow leather..
Helen CathcartAmberg, whose atelier has long created bespoke components for designers and designers like Alexandra Champalimaud and Peter Marino, began exploring digital printing only a few years ago however considers it the newest advancement in the products long, rich history. “Think of the brightened wall panels in Florence or the hand-painted hides created by Native Americans,” he states.