Printing on leather permitted the very same subtlety in color and texture that I discover on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, developed around a 10-point-star motif.
A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Printing on leather permitted the very same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star motif.
Helen CathcartRealized using natural pigments, her constellation of stars is joined by other geometric motifs: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters development, originally conceived in Photoshop for a cover of Jason Reynoldss best-selling book For Every One, captures “what dreams look like as a pattern.”) A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, on the other hand, covered a buddy in pigment and coconut oil, then pushed her body to paper, creating a dynamic, not-quite-figurative impact reminiscent of Yves Kleins Anthropometry series. And furnishings designer Bethan Gray painted billowing boat sails.
Helen CathcartAmberg, whose atelier has actually long produced bespoke elements for designers and architects like Alexandra Champalimaud and Peter Marino, started exploring digital printing just a few years ago but considers it the most recent advancement in the materials long, abundant history. “Think of the brightened wall panels in Florence or the hand-painted hides created by Native Americans,” he states. “Leather has actually been used as an artistic medium for millennia.” mooreandgiles.comYinka Ilori with his own Love is Blind.