Printing on leather enabled the very same subtlety in color and texture that I find on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star motif.
A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.
Printing on leather permitted the same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, developed around a 10-point-star theme.
Helen CathcartRealized utilizing natural pigments, her constellation of stars is joined by other geometric motifs: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters production, initially conceived in Photoshop for a cover of Jason Reynoldss very popular book For Every One, records “what dreams appear like as a pattern.”) A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, on the other hand, covered a friend in pigment and coconut oil, then pushed her body to paper, creating a dynamic, not-quite-figurative impact reminiscent of Yves Kleins Anthropometry series. And furniture designer Bethan Gray painted billowing boat sails.
Helen CathcartAmberg, whose atelier has long developed custom components for designers and architects like Alexandra Champalimaud and Peter Marino, started exploring digital printing just a couple of years ago but considers it the most current advancement in the products long, abundant history. “Think of the illuminated wall panels in Florence or the hand-painted hides developed by Native Americans,” he states.