Printing on leather enabled the very same subtlety in color and texture that I discover on paper,” shows artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, developed around a 10-point-star motif.
A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.
Printing on leather allowed the exact same subtlety in color and texture that I discover on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star motif.
Helen CathcartRealized using natural pigments, her constellation of stars is signed up with by other geometric concepts: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters production, initially developed in Photoshop for a cover of Jason Reynoldss very popular book For Every One, catches “what dreams look like as a pattern.”) A subtle, bauhaus-inspired gradation distinguishes Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, meanwhile, covered a buddy in pigment and coconut oil, then pressed her body to paper, producing a vibrant, not-quite-figurative effect reminiscent of Yves Kleins Anthropometry series. And furniture designer Bethan Gray painted billowing boat sails.
Helen CathcartAmberg, whose atelier has actually long produced custom components for designers and architects like Alexandra Champalimaud and Peter Marino, started exploring digital printing just a couple of years ago however considers it the current development in the materials long, abundant history. “Think of the illuminated wall panels in Florence or the hand-painted hides created by Native Americans,” he states. “Leather has actually been utilized as an artistic medium for millennia.” mooreandgiles.comYinka Ilori with his own Love is Blind.