Printing on leather allowed the very same subtlety in color and texture that I find on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a version of her Decagram leather, established around a 10-point-star theme.
Helen CathcartRealized using natural pigments, her constellation of stars is signed up with by other geometric motifs: subtle, Bauhaus-inspired stripes by designer Jonathan Saunders and groovy graphics by designer Yinka Ilori. (The latters creation, originally conceived in Photoshop for a cover of Jason Reynoldss very popular book For Every One, catches “what dreams appear like as a pattern.”) A subtle, bauhaus-inspired gradation identifies Wander leather by designer Jonathan Saunders.
Helen CathcartArtist Kesewa Aboah, on the other hand, covered a friend in pigment and coconut oil, then pressed her body to paper, creating a dynamic, not-quite-figurative impact reminiscent of Yves Kleins Anthropometry series. And furniture designer Bethan Gray painted rippling boat sails.
Helen CathcartAmberg, whose atelier has actually long developed bespoke elements for designers and architects like Alexandra Champalimaud and Peter Marino, started checking out digital printing just a couple of years ago but considers it the newest development in the materials long, abundant history. “Think of the illuminated wall panels in Florence or the hand-painted hides produced by Native Americans,” he says. “Leather has actually been utilized as a creative medium for centuries.” mooreandgiles.comYinka Ilori with his own Love is Blind.
Printing on leather permitted the very same subtlety in color and texture that I find on paper,” reflects artist Amber Khokhar. Designer Amber Khokhar with a variation of her Decagram leather, established around a 10-point-star concept.
A subtle, bauhaus-inspired gradation differentiates Wander leather by designer Jonathan Saunders.