The customers currently understood the complete level of Nunnerleys design proficiency. The Maryland home and the chalet in Aspen boast wildly different looks– the former a whimsical take on traditionalism and the latter a study in creative contemporary design– they both bear the Nunnerley signature: clever and stylish usage of texture and palette.For both houses– one straight facing the Chesapeake Bay and the other actually developed into the side of a snow-drenched mountain– nature plays a lead function in Nunnerleys deliberate and deliberate design choices. The objective was to “infuse the home with sophistication and mobility” that didnt contend with the mountain.Filling a guest room with 2 queen-size beds is another of Nunnerleys design moda operandi. The kitchen is possibly Nunnerleys a lot of stunning example of mixing rustic with modern style. Stephen Kent JohnsonJust past the entranceway, Nunnerley developed a rustic-looking locker room.
For designer Sandra Nunnerley, New Zealand native and New York transplant, a houses interiors should always be site-specific. Enter the current purchasers, a couple (with four extremely athletic adult kids), who wasted no time bringing on Nunnerly– their longtime, trusted interior designer– to produce a rustic yet contemporary ski home.Nunnerley designed the dining location to be comfortable and informal complete with a sitting nook in a neighboring cove. The idea behind the custom-made white oak table and luxurious leather chairs was to encourage a slow-burning dining experience.
The table and chairs set perfectly, Nunnerly didnt purchase them as a set. The table is new and custom-made, crafted from recovered wood, and the chair is a vintage find from Maison Gerard– as is the 1977 Mario Dal Fabbro wood sculpture on the table.
Stephen Kent JohnsonWhile the search for that perfect client-designer match can often be difficult, the collaboration on this specific job made sense. The customers already knew the full level of Nunnerleys style expertise. A few years earlier, they employed her to supervise the rehab of their sprawling horse farm (total with a primary house and similarly elegant accommodations for their horses) along the Chesapeake Bay in Maryland, where Nunnerley put fresh and unanticipated twists on classic classicism. The Maryland home and the chalet in Aspen boast hugely various looks– the former a whimsical take on traditionalism and the latter a research study in creative contemporary design– they both bear the Nunnerley signature: wise and elegant usage of texture and palette.For both houses– one directly dealing with the Chesapeake Bay and the other literally built into the side of a snow-drenched mountain– nature plays a lead role in Nunnerleys deliberate and intentional design options. In Aspen, Nunnerley took a hint from the surrounding mountains natural ruggedness and overwhelming beauty. “Working with the houses preexisting fantastic wood detailing,” she states, I wished to continue the warm and inviting feel, so I brought in such textures as felts, wools, and mohairs.” The goal was to “infuse your house with sophistication and movement” that didnt take on the mountain.Filling a guest space with 2 queen-size beds is another of Nunnerleys style moda operandi. “Its best for a couple with kids,” she describes. The sun-drenched sitting location includes a custom sofa and rattan armchairs.
Stephen Kent JohnsonGiving the seven-bedroom house (6 in the primary house and one double bedroom in the guest home) a tactile feel via soft-to-the-touch fabrics was step one on Nunnerleys agenda. Step two was color, which, for the a lot of part, makes a statement on the walls instead of in the design. Nailing the best shade is such an integral part of Nunnerleys process that she custom-made mixes all of her own paint colors.”I like that this kitchen area is warm and welcoming, however likewise very modern-day,” Nunnerly confesses. The kitchen area is perhaps Nunnerleys a lot of spectacular example of mixing rustic with modern style. The ivory leather M2L Furniture stools and oversized ceramic Christ Gustin sculpture coupled with the white oak beams and delft tile backsplash effectively challenges the guidelines of design, making a case for transforming certain styles.
Stephen Kent JohnsonJust past the entrance, Nunnerley designed a rustic-looking locker space. “I enveloped the room in the very same Blue Spruce thats in the entrance and primary hallway so that your subconscious eye continues throughout that entire level with no interruptions.” The commercial light includes an edgy look, perfectly contrasting versus the lodge vibe of the rest of the area.
Stephen Kent JohnsonThroughout the whole house, Nunnerly covered the walls in tasty, earthy tones, offering each area a distinctively relaxing feel. In the entrance, Nunnerley chose Blue Spruce, a shade that, set against the slate wood floorings and white oak half-paneled walls, appears all properlies. “Its everything about a special play between colors,” she describes. In the wine-tasting room, her custom Cottage Red envelops the space in the very same warm sensation that features a sip of a full-bodied Cabernet. Fortunately, that was the point.Stephen Kent JohnsonThe star of the study is the seating: a denim-hued custom flannel sectional, a matching ottoman, and Italian rocking chairs upholstered in what Nunnerley calls “a delicious butterscotch leather.” When it comes to the art, the designer chose to go for a vibrant contrast in between the Alaskan moose antlers from Bucktails Taxidermy and the Chris Gustin cloud sculpture on the console.Her supreme objective was for this holiday house to feel like a genuine house where both the family and their lots of guests are comfortable and at ease. “Nothing is precious in this home; whatever is implied to be used and loved,” she notes.