Research study, research study, research,” says designer Will Cooper, musing about his imaginative procedure. “I need to remain in a place and get the ambiance– checking out all the museums, reading books, and unloading whatever from there. Concepts reoccur. They mix together with discoveries from my travels. Everything becomes this convoluted mix.” The designer at house.
Ngoc Minh NgoIn this specific instance, he is referring to the hit hotel jobs he has shepherded as chief imaginative officer and partner of the AD100 company ASH NYC, from the terrazzo-tiled baths at The Siren in Detroit to the gingham-bedecked boudoirs at Hôtel Peter & & Paul in New Orleans. Still he may also be describing his own recently redecorated Manhattan home, a one-bedroom rental in Alphabet City. Just 550 square feet, with a railroad-style warren of rectilinear rooms, the home reveals a masterly mix of references, designs, and discovers– the result of both his expert peregrinations and deep dives into the annals of the ornamental arts.The East Village apartment of Will Cooper, Chief Creative Officer and partner of the AD100 firm ASH NYC.
Ngoc Minh NgoInspired by Renzo Mongiardino and John Dickinson, ribbon-tied panels of white cotton cocoon the walls, developing an undulating labyrinth of flexible partitions. “Its kind of like theater,” notes Cooper. Extra components– 60s sconces by Jo Hammerborg, a 70s table lamp by Harvey Guzzini, 70s floor lights by Robert Sonneman– enhance the drama, bouncing light off the mirrored folding screen and fireplace surround.
Ngoc Minh NgoVintage Robert Sonneman flooring lights flank the bed, which he slipcovered in a patchwork quilt..
Ngoc Minh NgoCome party time, there is no lack of conversation starters. Those chairs, he discusses happily, maintain their original velvet upholstery and beadwork. That 18th-century Dutch chest he found at Pariss Marché aux Puces. The mixed drink table he designed himself. And the antique Venetian console, cleverly wall-mounted over the drape, exposes a still life of valued keepsakes, among them a Playbill for To Kill a Mockingbird (” the last program I saw on Broadway before lockdown”) and an urn that he purchased from the Michigan-based cumulative Hamtramck Ceramck while dealing with The Siren.A framed artwork by Aleksandar Duravcevic hangs above the 18th-century chest.
Ngoc Minh NgoConsider Casa Cooper a scrapbook of life and work. White slipcovers provide his take on summertime dress, a New Orleans tradition he succumbed to creating Peter & & Paul. Fitted over his bed, meanwhile, is a quilt that came from his great-grandmother and hints at the quilt program to come at ASHs new Baltimore hotel. (” The city has this historic, very specific pattern,” notes Cooper.) Incredibly, in his hands, all these many ideas yield a breath of calm, not some mad laboratory. “All day I produce extreme fantasies,” he shows. “At home, I require some clearness.” Wall-mounted, an antique Venetian console appears to drift against the white cotton drapery.
Ngoc Minh Ngo.
Research, research, research,” says designer Will Cooper, musing about his innovative process. Simply 550 square feet, with a railroad-style warren of rectilinear rooms, the house exposes a masterly mix of referrals, styles, and finds– the outcome of both his professional peregrinations and deep dives into the record of the ornamental arts.The East Village home of Will Cooper, Chief Creative Officer and partner of the AD100 company ASH NYC.
Ngoc Minh NgoInspired by Renzo Mongiardino and John Dickinson, ribbon-tied panels of white cotton cocoon the walls, developing an undulating labyrinth of flexible partitions. “Its kind of like theater,” notes Cooper. Ngoc Minh NgoConsider Casa Cooper a scrapbook of life and work.